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Season 2, Episode 7 — Invasion Starring: Nate suggests bringing the Waverider back to to capture a Dominator and gather intel of their own. Oliver asks her to hang back, because he's having a hard time dealing with the situation. Apparently when he goes up against something new, he pushes back and seeks a sense of normalcy. This was born from dealing with human threats, which became meta-humans, to discovering alternate Earths, to being a prisoner on a space ship and the fact that there are aliens.
And the fact that nobody fights that? Yo, Oliver, maybe you want to claw back your normalcy after the aliens have been dealt with? There is also a wistful bit where he reflects on the fact that he used to dream about time travel and aliens, and the reality of both is anything but a dream. On a mission to earlier this seasonhe interacted with his younger self againand he believes that that interaction altered the timeline.
Initially his intention is to go back and correct things, essentially wiping her from existence, though he comes to realize how horrible that would be as he connects with her emotionally. They awaken in a cell, where they start to question the Dominator, who responds telepathically, saying they had come to Earth to investigate the Justice Society of America to determine if they posed a threat. At that moment, the alien is taken away and presumably tortured, when the group is rescued by Cisco and Felicity, armed with weapons from the Waverider.
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Before they leave, Cisco suggests they show some compassion by freeing the alien, returning him to its people as a sign of good will. Barry easily disarms his men, but is told that the Dominators see meta-humans as a future threat. It is then that Cisco realizes that they also screwed up the timeline by freeing the alien, who history had originally shown was captured by the government.
In essence, he is as guilty as Barry was of an unintentional time disruption.Meet The Spartans Rated Version
This forgiveness is driven home in the next sequence when Barry is determined to hand himself over to the Dominators. Oliver, Supergirl, Heat Wave!
All of which leads to the final battle. As the Waverider goes after the meta-bomb, Stein comes in with a device that can be placed on individual Dominators and, when activated, cause extreme pain to them. Shortly thereafter, on a rooftop, the team runs towards the Dominators and they towards them, in what is an absolute lift from the Captain America: Civil War airport scene.
While the fight is going on, Barry, at super speed, starts attaching the devices to the aliens. In the meantime, the Waverider has captured the meta-bomb in a tractor beam and has managed to slow its descent into the atmospher, giving Firestorm the chance to land on it and use his powers — under great physical and mental strain — to transmute the device into water, thus saving everyone.
This is followed by the smaller devices being activated, causing the Dominators to react in horrible pain and racing to retreat from around the world.
Now, not to rain on the parade that is victory, but exactly why are they retreating? What exactly did they do that dissuades the Dominators from their position that the meta-humans are a threat to them? Afterwards they have a private celebration.
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Things conclude with Cisco gives Kara a device that will allow her to cross over from one universe to another, or communicate with them whenever necessary. A couple of points: The whole death of the U. Something as significant as that needs, at the very least, a moment of reflection. She kind of looks like my cousin. As a crossover, it does an extremely effective job in bringing the characters from four different shows together, the rapport between them feeling natural and oftentimes genuinely funny look for some great bits between Supergirl and Heat Wave.
It also provides interesting character arcs. For instance, not shying away from the deeply-felt resentment Cisco has for Barry over Flashpoint and finally resolving it by providing true understanding rather than a superficial moment that bonds them.
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The other side of it, of course, is money. Criticisms aside, the overall rating for "Invasion" is nonetheless 4 Stars. How long have you been creating your masterpieces? Thank you for calling them masterpieces! Can you explain the process you go through when creating your digital pieces? It always starts with a sketch in traditional media—usually pencil on paper.
The design gets fleshed out almost completely on paper, everything but the colour. Do you have a favorite game that you use as your inspiration? In other words, I get inspired by concept art that is done particularly well, or particularly badly!
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The former I learn from, the latter inspires me to find ways to improve. One of my absolute favourite character concepts was the Arishok in Dragon Age II, simply because there was so much raw power and arrogance conveyed in his design.
I spent hours gleefully piecing together his full concept when just the teaser trailer was released. How long does it take you to finish a piece? It depends on the level of detail. Taking into account coffee and pub breaks, of course. What other artsy skills do you like to indulge in? I have a strong interest in sword combat from my competitive fencing days, and still adore it.
I work in a coffee shop by day as well, and the lattes that really talented baristas create can knock your socks off. Do you have any other kinds of fan art? Though I love you Stephen Fry. Are you able to be this creative in your day job? What was the first game that got you interested in BioWare? Dragon Age was the first. There were a lot of very compelling character designs to boot—Flemeth, Morrigan, the exceedingly charming Alistair, and the idea of the Grey Wardens were all very striking for me.
What do you look for most in videogames when you are playing?