Queer la Queer: From Illogical Dedication to Misappropriation – Taylor Ramage
Their "date" at the end wasn't a romantic kind of date. They were just hanging out. Hell, why do you think Satsuki joined in? Because it was just. Kill La Kill: this picture summarizes their relationship, 'nuff said. gif animated animation ed edd n eddy mako kamui satsuki klk kill la kill ryuko Ryuko Matoi. Mako does seem to have a thing for Ryuko, but this could be her being the . As you can see, in a straight relationship, the couple has relative.
In an early scene, Ryuko dodges Mako as she comes flying at her with a completely deadpan expression, even as Mako ends up crashing into trash cans. Maybe even a little shy, even if she likes to hide that niggling detail. But when it comes to Senketsu? Oh, Ryuko wants to know Senketsu, alright. She sees herself, in him.
Someone searching for answers.
It may not be the easiest for her, being so used to being on her own, but slowly but surely, Ryuko lets Senketsu—and others! But… Wait After episode 3, could you really say that Senketsu and Ryuko are friends? After all, episode 5 has this little exchange between them: So be quiet and be worn by me! Just a piece of clothing, you say?
It can seem a pretty abrupt change. But let me first discuss the selfish undertones these supposedly selfless acts do contain. Without her, what does he have? Protecting her life, then, can be viewed only as an extension of protecting himself. Prior to the series she traveled to high school after high school scouring for answers.
The Relationship Between Ryuko and Senketsu
She gets her ass whooped time and time again in all her efforts. She deals with perverts ogling her body in all her efforts. All losing him could mean, then, is losing something that she sees as necessary to her goals—a power source, if you will, who also has the bonus of maybe having some information, too.
With all the dangerous battles she gets herself into, maybe she would die for that. It could certainly be there. But the selflessness and love they share for one another far outweighs it. Let me begin with Senketsu. By episode 5, a few things have been established thus far regarding his character. Above all else, though, loyalty feels like his defining trait. He decides to help Ryuko in episode 1 and he sticks with this decision, giving her all the information she needs to win the tennis match in episode 2, unsynchronizing with her in episode 3 to prevent her from fainting due to blood loss, and refusing to work with Maiko in episode 4.
This last instance is even joked about: Whereas Junketsu is constantly shown trying to take advantage of its users… …Senketsu is established early on as someone who cares a lot for the well-being of those who wear him.
Note again his unsynchronizing with Ryuko in episode 3; Satsuki finds this fascinating and pitiful enough to openly comment on it: Your Kamui might have spared you from passing out, but in a dormant Kamui, you might as well be naked. Unsynchronizing with her, though—this is a move that pretty much guarantees their loss. And that speaks volumes. Additionally, though episode 1 makes it pretty clear that Senketsu has a good amount of mobility, episode 5 reveals that Senketsu could literally have just left Ryuko at any time.
Yet… he never does. Senketsu cares about this girl. Why else be so inclined to help her get to school on time, as he is in episode 4? Why else refuse to work with Maiko? Someone who really, truly loves her. Episode 7 reveals her great desire for family, and episode 20 extends this with a fantasy sequence orchestrated by Ragyo that turns her lonely and deprived childhood into one with a perfect, loving mother.
What this tells us? What really hits her? Nui, as she says, is a monster. Why did Dad leave her and not even look back? Will anyone she ever tries to grow close to inevitably do the same? Full of fear, confusion and uncertainty, this awful concoction of a childhood leaves Ryuko a severely lonely girl.
Consider the opening of episode 4. Here, Ryuko has a nightmare involving Senketsu being chopped to bits. Compare, for instance, how she defends Mako in episode 2: Sooo, does this mean you wanna take her place? I kinda owe her for dinner and a bed. She always plays it rather impersonally, like a detached but undeniably badass hero.
In episode 1 she saves Mako without much of a word about it; same goes for the second time Ryuko rescues her in episode 2. What the episode 5 bathroom scene also accomplishes, then, is mark a turning point in Ryuko.
The intimate hug between them is given special focus, with Tsumugu thinking as he looks upon them: These two… care for each other? Which tells us that Ryuko actively displays her compassion towards Senketsu in such a manner that even the stubborn and thick-skinned Tsumugu gets it.
She stays true to her word and continues to cling to Senketsu, any embarrassment over her own kindheartedness be damned. Ryuko is considerably more relaxed with showing how she truly feels—for instance, note how much sweeter her rescue of Nagita in episode 13 is compared to her rescue of Mako in episode 2—but this is especially true when it comes to Senketsu.
Then of course we get the moment where she calls him her friend: You and I need to become even stronger. No, we CAN become even stronger. And she means it. That positive outlook of yours is what I love about you, Senketsu! In episode 13, she pushes everyone away, but ultimately comes to confess everything on her mind to Senketsu, portrayed as such a big deal that the whole Mankanshoku family sans Mako peek in on it, full of anticipation. Come episode 14, she gets pretty dang close to bawling in front of Aikuro of all people when she fears Senketsu dead: Of course I am.
I… I lost Senketsu. One of my favorite moments between the two is the ironing scene in episode 6: So, as with any story, every scene should be there for a reason and serve a purpose.
The only purpose this has is to emphasize Ryuko and Senketsu growing closer as friends, which does bring up some questions, like Why is this here?
Or Why did Trigger dedicate time to this? Well, it all goes back to what I said in the start. When confronted that their plan had indeed hurt him, she apologizes genuinely. Ultimately, this scene was written and storyboarded and animated to show that their relationship is not just a girl and her sailor uniform or a girl and a weapon, but friends that are becoming so close that even the hot-blooded protagonist is starting to let her guard down around him.
Episode 7 continues this with a gentle scene in which Ryuko reveals to Senketsu her love of family dinners and opens up about her past to him before repeating the same information to both him and Mako in episode 8: What is so funny? Lively dinners are a great thing.
Mom died when I was young, and Dad sent me off to a boarding school. I always thought that was pretty ordinary. She sounds absolutely sweet as honey. And then the sweet tone vanishes as soon as the boys try to peep on her, but this only helps mark the moment as something really special. She may be a little slow about it, but Ryuko really is trying to let people into her heart. Your friend has finally started cheering for herself.
It sure looks that way. Your pulse and respiration have returned to normal. As previously mentioned, every scene should serve some sort of purpose in a story. Basically, that Ryuko has a real family now. It may just be one little line, but considering the emphasis the show places on family dinners, I see it as something worth discussing.
5 Times Anime Got Same-Sex Relationships Right
In episode 4 she only comments about having made one for Mako, and in episode 5, Ryuko is notably lunchless while Mako is not. And the couple times these lunches are brought up, Ryuko is always exceedingly happy about them and absolutely pissed when club members destroy one in episode 7. Note how long the show lingers on this shot of the lunch Sukuyo made for Ryuko before the Naturals Election: Is something the matter?
When he notices how happy her newfound family makes her she lets him notice and smiles. I could really go on and on about this.
When you heard what Satsuki had to say. You could have come out and told her so. Seriously, you are so obnoxious! May 18, 1. Sailor Uranus and Sailor Neptune For many anime fans, this is the big one.Ships in Kill la Kill
So we might as well get it out of the way first. The relationship between Sailor Senshi Uranus and Neptune might be best known to non-Japanese viewers of the 90s for how it was covered up -- with varying degrees of success. In English-speaking territories, the two were explained to be cousins.
Though for one reason or another this didn't wash away the pair's constant flirting. The final effect, for many viewers at the time, was Likely different than what the localizers intended. Thankfully, the notion that homosexuality is somehow a "mature" topic has lightened up a bit. If not by much, then at least enough for better dubs and subs of the series to filter their way into the States. So those young and queer can see the girlfriends in all their youthful, empowering action.
And what a pair they make. Uranus and Neptune typically fall on the more pragmatic end of the Senshi spectrum -- going so far as to enter deep cover, and seemingly betray their friends to achieve their goals. In their day-to-day, however, the pair are treated little differently than any other anime couple. That is with warmth pockmarked by good-natured humor, which is usually the result of Uranus's consistent flirting with other women. The two do die, but only occasionally. They're not singled out for being gayeither, as biting the dust and making a miraculous recovery is just par for the course on Sailor Moon.